DVD Verdict Reviews
Headspace: "Director's Cut"
Source:
www.dvdverdict.com
Review By:
Appellate Judge Tom Becker
THE
VERDICT
Headspace is a better-than-average indie thriller that distinguishes
itself with style and intelligence rather than ladles of rue. The DVD offers
solid tech and worthwhile supplements. All in all, this gets a recommend.
THE REVIEW
When he was a little boy, Alex had a bad experience: His mother turned
into a monster and tried to smite him. Fortunately, Dad was there to blow
her off with a shotgun. After this unpleasant episode, Alex and his brother
were sent to foster care, but his dreams are forever haunted by demons.
Now, 20 or so years later, Alex (Christopher Denham, Charlie Wilson's
War) is a twitchy young man who suffers from headaches. One day, he has some
sort of seizure and is rushed to the hospital. A scan reveals that his
frontal lobe is over-active, which means he can do things like speed read
and play chess really well. He also seems to have some kind of psychic
power, which means he can anticipate what people are about to say and
describe events that he didn't witness.
The down side: The monsters that have plagued his dreams are back and are
decimating people around him, including casual acquaintances.
At least, that what it seems.
A low-key, cerebral, indie monster movie that seems drawn from spare
parts of The Twilight Zone and The Outer Limits, Headspace doesn't entirely
work, but it's a more-than worthwhile effort. It eschews the usual, mindless
slice-and-dice for a slightly more thoughtful slice-and-dice.
Rail-thin and disheveled, Denham makes for an appropriately haunted hero.
Alex is clearly a damaged soul, rootless and barely functional, but
obviously intelligent, even before the IQ burst. He seems like any other
young, middle-class tragedy who's landed in New York City and is somehow
scraping by. Denham plays up the character's fragility, and the film
surrounds him with other damaged people, including a mysterious chess
hustler (Erick Kastel, Ghostlight).
There's plenty of horror here, and while the monster attacks are
suspenseful and graphically rendered, it's not the sort of "in your face"
horror that's the usual hallmark of low-budget monster and slasher movies.
Director Andrew van den Houten (Offspring) comes by his scares the
old-fashioned way, with nice build-ups and decent pay-offs. The enigmatic
nature of the narrative helps create tension.
And this is a problem with the film: it's a little too enigmatic. There
are a lot of ideas introduced, and people talk about things, but after a
while, it seems meandering and opaque. While the writing can be sharp, it's
just as often clunky and moonish, deliberately portentous and abstract in a
way that occasionally rings of hipster off-off-Broadway theater.
Sometimes, the vagueness works, as in the film's approach to Alex's
relationship with some of the other characters; other times, it's just
frustrating. Not everything has to be splayed out and explained, but for all
the talk amongst the characters, a few too many questions remain at the end.
While I generally liked this film, it's not something I'm going to spend
time pondering.
And, it should be noted, showing us the monsters full-on might not have
been the best idea.
And of course, Headspace contains the same enigma that plagues so many
New York City-based indies: How does a guy who makes almost no money—in this
case, playing chess in the park—afford a New York City apartment that's the
size of Yankee Stadium?
One of the more interesting aspects of this film is the cast—not the lead
actors, who are fine, but a whole series of familiar faces who turn up in
small, "cameo" roles: William Atherton (The Sugarland Express), Olivia
Hussey (Black Christmas), Dee Wallace Stone (Cujo), Sean Young (Blade
Runner), and cult vets Larry Fessenden (Habit) and Udo Kier (Mark of the
Devil). It's not so much spot-the-star as it is check-IMDb to figure out
where you've seen these folks before.
Headspace was released on DVD a few years ago. This new release is
Headspace: Director's Cut, though not having seen the earlier version, I
can't say how this one differs or if it's worth a double dip. I can say that
in the tech department, this looks and sounds fine.
There's a good amount of supplemental material here, though most of it is
ported from the earlier release. There are two commentaries; "Fractured
Skulls," a good, comprehensive "making of" featurette; a "Photo Journal"
detailing the make-up effects; deleted and alternate scenes; audition
footage; and a trailer. The sole new extra is "Headspace Revisited," which
features van den Houten and Denham meeting up for a look-back at the film.
THE VERDICT
Headspace is a better-than-average indie thriller that distinguishes
itself with style and intelligence rather than ladles of rue. The DVD offers
solid tech and worthwhile supplements. All in all, this gets a recommend.
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